فيلم ملفوف كينتمير بان 100 أبيض وأسود 120

The mid-tones really shine with this 120 film—portraits came out with a smooth, natural gradation that reminded me why I shoot black and white. It's sharp enough that I can crop in on details without losing texture, and the contrast sits right where I want it for darkroom printing.

Shot a roll over the weekend and the tonal range on those grey skies was honestly gorgeous, very forgiving in mixed light. The fine grain kept skin texture looking natural in my portraits, and it rolls through the 120 back without any snagging.

I’ve been using this roll for landscape shots and the fine grain really holds up in enlargements. The tonal range is lovely, with smooth transitions from deep shadows to bright highlights.